Itō Seiu 伊藤晴雨 (1882-1961) and other contributors to Japan’s early pornographic industry employed themes from the Buddhist and Christian visual canons. In part because of its categorization, their works have been ignored in studies of the history of Japanese art and of Japan’s religious expression. I offer analyses of the (predominantly female) body bound-up, dismembered, and incised. Using these materials, I reject the notion that this period allowed for sexual “liberation.” More broadly, I discuss the commonalities between the sacred and the profane, and prohibitions concerning visuality. I also consider the ethics of this research itself, and the implications of (and distinctions between) consuming and witnessing.
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October 16, 2019 @ 4:00 pm – 6:00 pm
SS&MS 2nd Floor Conference Room 2135